Tag Archives: Best Films

Best of 2018 Pt. 1: Film

10 Jan

Belated Happy 2019! It’s been a long while for a post as I had an incredibly busy fall. Apologies for those who follow! I have a number of posts half-finished, including Breakfast Fried Rice and Heaven In A Bowl… let’s see how much I can keep on track this year. First, though, we begin with the requisite ‘best of’ posts. 

Below are my favorite films of the year. I have more movies listed than usual this year which surprised me because at the end of summer there were only a few movies I was excited about. But it was a strong fall for features. Not all are ‘great films’ but each achieved something wonderful, moved me deeply or took unusual risks that made the film worth mentioning.  In no particular order:

BEN IS BACK

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Ben Is Back slayed me. I’ve seen it twice, fell apart each time and will watch it again soon. It’s unfortunately one of those movies the studio can’t seem to pay people to go see. But I loved it and encourage you to see it. Julia Roberts give the best performance of her career, which is saying a lot, and Lucas Hedges meets her head on. (What a banner year for Julia, who will also appear in the next post.) I’m a big fan of the writer/director, Peter Hedges – yes, he and Lucas are father and son. See this movie.

ROMA

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A gorgeous, stunning film I can’t imagine working on TV at home, so Netflix’s decision to leave Roma in theatres for only a few weeks around Thanksgiving is incomprehensible. If you tried to watch it at home and turned it off, I understand. It starts very, very slow and certainly is never a wild ride. But the beauty of the directing, the cinematography (whoa!), the performances and the setting make Roma, for many of us, the best movie of the year. Spellbinding.

SPIDER-MAN: INTO THE SPIDER-VERSE

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If even two weeks ago you said to me I would pay money to see Spider-Man: Into The Spider-Verse, much less put it on my ‘best of’ list, I’d have laughed in your face. Yet here we are. Ha ha indeed. Thank goodness friends I trust forced me to go see it. Easily the most original and creative movie of the year, this visual feast is a blast from start to finish. It’s also surprisingly moving. Great film.

SEARCHING

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Another movie most people missed, Searching is another extremely inventive movie, a sharp thriller depicted entirely on social media, a narrative device that would seemingly get old but in these capable young filmmakers’ hands, never does. Anchored by a terrific performance by John Cho, this is another ‘find this movie and watch it’ recommendation from me. Terrific.

MISSION IMPOSSIBLE VI: FALLOUT

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Mission Impossible VI is not only the best action movie of the year (decade) it’s one of my top 5 of the year. Unlike any other series, MI gets better and better with each movie, meaning MI VI reaches pinnacles rarely seen in this genre. Filled with dazzling actions sequences and stunts done real time — take that, CGI! — the movie in the final act also has an emotional impact rare for actions movies. Director McQuarrie and star/producer Cruise, in top form as always, also were smart enough to bring back Rebecca Ferguson from MI V. May I have an enormous swoon for Rebecca Ferguson? Damn. In love. (Even with a porn-stache, I’ll also give a well deserved swoon to Henry Cavill. Oh my.) Movies don’t get much better than this.

GAME NIGHT

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I love this movie! I first saw Game Night on a plane, annoying everyone around me as I cackled with pleasure the entire time. I’ve shown it to others numerous times since, laughing just as much each time through. An extremely clever comedy unafraid to push boundaries and go to some dark places, Game Night is smart and clever; the first five minutes are so well done I taught this opening in my screenwriting class last Monday. It stays sharp all the way through, is at times wonderfully shocking and the entire cast is outstanding. (Rachel McAdams also makes me swoon. Damn.) I loved it. 

THE WIFE

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If Glenn Close doesn’t win every acting award for her performance in The Wife, there’s no justice in the world. By my count, she should already have two Oscars on her shelf. Yet she has none. Please let this be her year. She gives a master class in screen acting in this small but powerful movie. You can’t take your eyes off her. Close’s gifts are so strong she can do absolutely ‘nothing’… such as sit and listen to a speech… and be intensely riveting.  The movie is also excellent. Sony Pictures Classics is expanding The Wife back into more theatres this weekend. Go see it!

A STAR IS BORN

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The classic Hollywood story remade yet again but this time with depth and empathy. Usually filmed in grand fashion, Bradley Cooper’s decision to shoot the movie in an extremely intimate fashion pays off beautifully. His performance also blew me away, he completely transformed into someone else. And he can sing. Loser! Lady Gaga also is terrific and I love the music. The incredible popularity of the movie seems to have people turning on it as the award season ramps up. I guess that’s what comes with popularity. Awards or none, Cooper and Co. have the last laugh. A Star Is Born remains one of the best movies of the year.

BLACK PANTHER

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It may not be a great movie but Black Panther has many great elements and performances. More importantly, seeing this in the theatre felt like an enormous cultural event. And it was. There are movies that are of their time and movies that transcend time. Both are important so while Black Panther may be the former, being of its time in no way takes away from the movie. It was also a very enjoyable movie to watch.

FREE SOLO

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A documentary as riveting and suspenseful as MI VI, Free Solo is a stunner. A fascinating character study combined with intense thriller, Free Solo is also a beautifully crafted documentary. The less you know the better. Find it.

MARY POPPINS RETURNS

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A delight from start to finish. I know people obsessed with the original who balked at Mary Poppins Returns but I loved it and am glad it is performing well, given the filmmakers daring decision in the modern era to embrace the look and sound of both the original and classic movie musicals in general. Emily Blunt is practically perfect. Her performance seems so effortless I think a lot of people don’ recognize how damn good it is.  (Biggest swoon of the day for Emily, btw. Lord.) Anchored by Emily and wonderful performances across the board, Mary Poppins Returns creates a glorious world you don’t want to leave. I myself love the songs – whoa, amazing orchestrations, so incredibly lush and beautiful – and you’d have to have a heart of stone to be unmoved at the end when both Dick Van Dyke and Angela Lansbury turn up to create even more magic. Infinitely better than it had any right to be. 

DESTROYER

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Karyn Kusama’s The Invitation is one of my favorite movies of the last few years so I was excited to see her follow up, Destroyer. It doesn’t disappoint. An ultra dark Los Angeles neo-noir, Destroyer is getting a lot of attention for Nicole Kidman’s performance, which is amazing. The entire cast is superb, however; Bradley Whitford, for instance, is hilariously, deliciously slimy in one of many great scenes. Not perfect but Destroyer keeps you leaning forward the entire time. Definitely worthy of any list.

BEAST

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There are numerous beasts in this stunning debut from writer/director Michael Pearce. Only by the end of Beast can one figure out to whom the title refers and, actually, friends and I are still debating which character deserves the moniker. Moody and creepy, Beast slowly draws you into a beautiful yet disturbing world and Jessie Buckley, as the main character Moll, gives one of the best performances of the year. 

ANNIHILATION

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Okay, yes Annihilation has a lot of problems. But when this daring movie is working, it works so damn well, and takes so many risks, it makes my list. Based on what I considered an unfilmable novel, Annihilation is beautiful and disturbing and thought provoking and often shocking. You can’t take your eyes off it. Alex Garland, who also made the terrific Ex Machina, is bold enough to challenge the audience, asking a lot of us while also asking big questions with his narrative. Stunning visually, this is a movie well worth a look.

Also worth a mention: Bohemian Rhapsody, Won’t You Be My Neighbor, Three Identical Strangers, The Favorite, BlacKkKlansman, Cold War, If Beale Street Could Talk

What were your own favorites? What have I forgotten? (Books and TV next week)… Let us know!

 

Best Films of 2017

2 Jan

Though I am criminally behind in my viewing (see below), here is my annual list. The year started off rough, there wasn’t much I liked until suddenly the year blossomed in late fall; I saw a string of excellent movies that made 2017 feel like a pretty damn good year for features. Additionally, three of these terrific films – The Shape of Water, Coco and The Florida Project – were as visually stunning, albeit in very different ways, as any movie I’ve seen in years.

THE SHAPE OF WATER

It’s unlike anything you’ve ever seen. Romantic. Violent. Erotic. Funny. Dazzlingly beautiful. Magnificent. 

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THE FLORIDA PROJECT

“A movie that defies traditional narrative storytelling” is always, for me, a polite way of saying “boring as hell.” Yet The Florida Project may be my favorite movie of the year (it’s a close call with The Shape Of Water.) Sean Baker’s objective look at the lives of marginalized people living in crap hotels on the outskirts of Orlando is funny, shocking, wrenching and heartfelt. It’s also a stunningly composed film. Baker and his DP, Alexis Zabe, somehow take these scummy yet colorful locales and bring beauty and art to the images. The movie also has some of the best performances you will see all year, many from non-actors. This is an amazing movie.

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THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Whoa. The great playwright, Martin McDonagh, follows up his debut, In Bruges, with the blackest film comedy I’ve seen since War of the Roses. Shocking, funny and shockingly funny, none of the movie’s main characters are who they seem to be initially. Each makes a surprising journey, one of the many pleasures of the film. Save one bit of miscasting in a smaller role, the performances across the board are exemplary. I’ve seen it twice and will watch again.

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LADY BIRD

It can be hard to explain why Lady Bird is such a wonderful movie. It’s a story we’ve seen told many times before and there is nothing innovative about the filmmaking… unless “damn, that is fine filmmaking” is innovative. Given the crap we see on screen, yes it is indeed innovative. Lady Bird may be a simple story told in straightforward fashion, but the writing and acting are so strong, so enjoyable, that writer/director Greta Gerwig uncovers originality and deep emotion, making what should seem old, a coming of age story, fresh and new. I had a smile on my face the entire time I watched Lady Bird. (What a wonderful year of acting is 2017! Everyone shines in this movie.)

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COCO

Pixar seemed to lose some of its magic in the last couple of years. While Coco isn’t perfect, and there are a couple of plot revelations you can see coming from the start, the movie is a revelation because the milieu and characters are so unique, at least for mainstream cinema. Coco is also a dazzling feast for the eyes, one of the most visually arresting movies I’ve ever seen. It goes for your heart and it will get your heart. Bravo.

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THE LOST CITY OF Z

I saw this dense, challenging movie three times in the theatre and was really bummed it did not catch on, though it is easy to understand why given the complexity of both the characters and the ending. James Gray steps into David Lean territory with the true life adventure tale of Percy Fawcett, a British explorer who becomes obsessed with finding a lost city of the Amazon. It all works for me: grandiose and beautiful images, a terrific score, richly written characters, and superlative performances from Charlie Hunnam, Tom Holland, an unrecognizable Robert Pattison (becoming such a great actor) and Sienna Miller, a chameleon who may be the best actress working in film today. It will haunt you.

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DUNKIRK

Dunkirk certainly had its detractors. But it did boffo box-office, to use Variety-speak, which is surprisingly and encouraging given the movie is a $150 million dollar art film with no lead character, no real villain and a time-jumping narrative. I loved it. Rarely have I been so tense and keyed up in a movie. Nolan and his team build an incredible amount of dread, heightened by Hans Zimmer’s innovative score, one of his best.  Easily one of Nolan’s best as well.

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GET OUT

Jordon Peele somehow crafted a funny, suspenseful horror movie that slaps you up side the head while also being incredibly satisfying, a true audience pleaser even as it challenges you. Smart, clever and a lot of fun.

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PHANTOM THREAD

Wow. I’ve never used this word before now, but this movie ravished me. Stunningly beautiful with a magnificent score, directed with PTA’s usual precision and incredible performances across the board, I loved this movie. Loved it. It has put some people off as being cold and distant. I get it. Kind of. It’s lush and romantic yet ultimately a bit disturbing. Whatever. Phantom Thread transfixed me from the start and never let go.

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I, TONYA

I don’t know what I expected but it wasn’t this: sharp, smart, hilarious and ultimately surprisingly deep and even moving. The filmmakers somehow make the standard mock-documentary format new and exciting. And the performances are stellar. (It has been such a wonderful year for actors.) This might just be the most purely enjoyable movie I’ve seen all year. What a blast.

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Honorable Mentions: Call Me By Your Name, The Big Sick, Baby Driver, Logan, Logan Lucky, The Disaster Artist, Blade Runner 2049

Did not yet see: Wind River, Phantom Thread, I, Tonya, The Killing of a Sacred Deer, Mudbound, Brawl in Cell Block 99, The Darkest Hour, Ingrid Goes West, Good Time, Hostiles – Wish I could just stop and watch movies for a few days!

Tell us your favorites in the comments!

 

Favorite Films of 14

9 Jan

It’s been a different year for movies. A good friend of mine noted there didn’t seem to be any big ‘Oscar movies’, nothing that screamed Must see! or that has a lock on Best Picture… and that is true. But for me, this has been a good thing. In an age where so many movies are huge depressing blockbusters: sequels ad nauseam with the same old, same old tired CGI action that makes me numb, my personal favorites of the year were movies that were small, indie and often very weird. Some of these even blew me away.

In no specific order:

EDGE OF TOMORROW / LIVE. DIE. REPEAT

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Whoa, whoa, whoa! Isn’t this the type of big budget blockbuster you were slamming above?

Actually… no. This terrific, very smart, very suspenseful movie is what every big budget action movie should be. It’s the most sheer fun I had at the movies all year. A blast of a picture, Edge Of Tomorrow (or Live. Die. Repeat.) is extremely clever and, along with terrific supporting performances, has two kick-ass lead performances by Tom Cruise and the heavenly Emily Blunt. Wretchedly marketed by Warner Bros, (the movie’s name has even changed!) the ads looked like same old same old and revealed none of the humor (it is very funny), none of the romance (it has a heartbreaking romantic subplot) and hid just how good Tom Cruise was as he played one of the great cowards ever to be portrayed onscreen. That’s right, a total, yellow bellied coward. I confess, I love the guy, he is a superb actor (watch Magnolia if you disagree) and he clearly had a ball playing very against type. You probably missed it on the big screen, which is a bummer, but see it anyway. It’s a @%#$ blast.

 

SNOWPIERCER

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This is a wild, weird, phenomenal twist on the action thriller by one of the most inventive directors alive, Joon-Ho Bong. Very hard to describe, the entire movie takes place on a futuristic speeding train containing all that is left of humanity. With splendid action scenes and extremely inventive set pieces (wait until you get to the ‘classroom scene’ with a deliriously upbeat Allison Pill) Snowpiercer has a wild, weird sensibility that is all Bong, who also directed the equally wild and wonderful movies The Host and Mother. Chris Evans does his best work yet on screen. He’s terrific. As are all the supporting players. And then there’s Oscar Winner Tilda Swinton. Her part, Mason, was written for a man. When she was cast, they changed not a word, she transformed her appearance and this remarkable, fearless actress gives a hilarious, biting performance unlike anything you’ve ever seen. While the movie is certainly not everyone’s cup of tea, it has a classic revenge suspense plot holding it together that will keep you leaning forward. Experience something wonderful and trippy. See this movie.

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**For the rest of my “Best of”, click here —>  Continue reading