I’m having a difficult time believing it is ‘that time of year’ again. Time seems to move so fast. 2013 may have zipped by much too quickly but not without encountering great food and film that deserves mention. Behold, my second annual ‘best of’ list, with the usual extras.
Movies first! 2013 was terrific for cinema. Sure there were a few absolute train wrecks, including one of the worst movies ever, ever, ever made. It’s about a lawyer everyone calls counselor and a drug deal and beheadings and sex with — not on — a car, and long rambling monologues that make you want to shoot yourself in the head. It’s so bad, like Lord V, it is the movie that must not be named.
Still, I’ve been blessed to see many terrific, often wildly original movies. My favorites:
Intense, brutal, devastating, demanding. Prisoners is not the feel good movie of the year, which is one the reasons, even though it received excellent reviews, it is being overlooked in many ‘best of’ lists. Don’t make a mistake and miss this methodical, intricate, morally complex mystery. Why is it so good? First there’s the script: rarely have I encountered a script so tightly woven. Each word and every plot point matters, there is nothing extraneous. The script also packs an emotional wallop and works on many levels. It’s a surprising mystery with red herrings galore, a very complex morality tale with no easy answers (it’s up to the audience to draw conclusions regarding the characters and their actions) and it is a piercing character study, with some of the best acting of the year. Hugh Jackman is astounding. The guy is of course insanely talented. I’ve seen him twice on stage singing his heart out, charming everyone in view. I’ve seen him dark and mysterious. But I never suspected he could go to the angry emotional depths of this film. His performance is ferocious and dangerous, keeping the movie on a trigger wire. He’s matched by Jake Gyllenhaal who has the less showy role but whose work is just as deep and profound. Prisoners had me so overwrought on first viewing I almost left the theatre towards the end, my stomach was in such knots over the possible outcomes of the story. When it was over, I left the theatre and went straight to a bar for a shot of whiskey to calm down. That may not be the most enticing recommendation, given we usually go to the movies for fun and frivolity. Trust me. If you have not yet seen it, check it out. Not only do the intricacies of the mystery hold up on repeated viewing, it will resonate deep into your soul.
INSIDE LLEWYN DAVIS
I didn’t think any movie could match Prisoners as ‘best of the year.’ And then I saw The Coen Brothers latest. Like most Coen Brothers movies, Inside Llewyn Davis is certainly not everyone’s cup of tea. The movie focuses on one of the most dislikable characters ever to be seen in a motion picture, at least on paper. Llewyn Davis is a dick. The movie does little to redeem him. Which makes the lead performance of Oscar Issac that much more astounding. Issac somehow keeps us interested and engaged in Llewyn, as do the innumerable gifts of The Coens, two of the best filmmakers ever. Ever. Every scene is perfection. The movie is stunningly shot, the directing spot on. T-Bone Burnett supervised the music, so of course the music is incredible… and I don’t even like folk music! The acting across the board is as good as can be. (Is there anything better in life than John Goodman delivering Coen Bros. dialogue? I think not.) Somehow, even though the main character is an asshole and the plot a bit of a downer, the movie was joy to me. I laughed constantly, happy to watch such impeccable filmmaking. I also loved what the movie had to say about art, the struggle to be an artist and also the struggle to live. Beautifully crafted and surprisingly rich in meaning, this ranks with the Coen Brothers best.
For an excellent, relatively spoiler free 7 minute video about the making of the film and the music, click here.
Click the link for many more picks!